Romeo and Juliet as Scapegoat Lovers: A Girardian Analysis
René Girard’s mimetic theory, with its profound implications for literature, anthropology, and theology, casts a revelatory light on Shakespeare’s Romeo and Juliet. Often mistaken for a tale of tragic love, the play is, at its core, a violent ritual deconstructed, thus revealing the sacrificial machinery upon which society maintains its false peace. In Girard’s framework, […]
